☆°▪︎ A SECRET SMILE (OF A LIFE OTHERWISE) ▪︎°☆

We

stared

.

i

n

t

o

.

the

starshine

.

o

f

.

a

.

secret

smile . . .

.

.

.

created

together

.

b

y

.

you

.

a

n

d

.

I . . .

.

.

.

.

.

.

We

created

.

i

t

.

together,

.

.

a

n

d

.

.

savored

.

t

h

e

.

starshine

.

o

f

.

that

.

secret

smile . . .

.

.

.

f

r

o

m

all

.

t

h

e

.

times

.

gone

by . . .

.

.

.

 ~ from

all

.

t

h

e

.

times

.

gone

by . . .

.

.

.

o

f

eyes,

.

teasing

eyes,

.

teasing

eyes,

.

teasing

eyes . . .

.

.

.

 ~ all

.

t

h

e

.

times

.

gone

by . . .

.

.

.

o

f

eyes,

.

teasing

eyes,

.

teasing

eyes,

.

teasing

eyes . . .

.

.

.

o

v

e

r

romantic

rhyme

.

a

n

d

.

candlelight

wine . . .

.

.

.

 ~ that

romantic

rhyme

.

a

n

d

.

candlelight

wine,

.

served

.

i

n

.

high,

.

midnight

style,

.

w

i

t

h

.

the

starshine

.

o

f

.

a

.

secret

smile . . .

.

.

.

 ~ the

starshine

.

o

f

.

a

.

secret

smile . . .

.

.

.

f

r

o

m

all

.

t

h

e

.

times

.

gone

by . . .

.

.

.

 ~ from

all

.

t

h

e

.

times

.

gone

by . . .

.

.

.

created

together . . .

.

.

.

created

together . . .

.

.

.

created

together . . .

.

.

.

b

y

you

.

a

n

d

.

I . . .

.

.

.

.

.

.

i

n

the

days

.

o

f

.

delight,

.

once

kind

.

a

n

d

.

bright . . .

.

.

.

 ~ the

days

.

o

f

.

delight,

.

once

kind

.

a

n

d

.

bright . . .

.

.

.

n

o

w

dimming

behind . . .

.

.

.

a

s

we

.

journey

.

through

.

our

.

n

e

w

.

lives . . .

.

.

.

 ~ as

.

w

e

.

journey

.

through

.

our

.

n

e

w

.

lives . . .

.

.

.

otherwise.

Reflection: This is a romantic-themed poem where a previous couple from an old romance run into each other again years later. For a moment they relive the cherished moments they shared together. This poem was inspired by the ending of “La La Land” where actress Emma Stone looks at Ryan Gosling playing the piano who both now have separate new lives (especially her with a husband and child) – they share a secret smile for the times gone by that her husband/child know nothing about.  It was a great moment in the movie.

☆°▪︎ A DANCE THAT COULD NOT LAST (THE HAUNTING STRANDS) ▪︎°☆

A

glance

became

a

dance

.

a

n

d

.

then

a

chance

.

a

t

.

romance . . .

.

.

.

It

was

a

chance . . .

.

.

.

It

was

a

chance . . .

.

.

.

It

was

a

chance . . .

.

.

.

a

t

romance . . .

.

.

.

b

u

t

it

happened

.

s

o

.

sudden,

.

a

n

d

.

so

fast . . .

.

.

.

that

.

i

t

.

could

.

n

o

t

.

last . . .

.

.

.

 ~ it

could

.

n

o

t

.

last . . .

.

.

.

a

n

d

the

moment

passed . . .

.

.

.

The

moment

passed . . .

.

.

.

The

moment

passed . . .

.

.

.

The

moment

passed . . .

.

.

.

leaving

only

.

t

h

e

.

haunting

strands

.

o

f

.

endearing

echoes

.

i

n

.

hopeful

hands . . .

.

.

.

The

haunting

strands . . .

.

.

.

The

haunting

strands . . .

.

.

.

The

haunting

strands . . .

.

.

.

o

f

a

glance . . .

.

.

.

o

f

a

dance . . .

.

.

.

a

n

d

of

a

chance . . .

.

.

.

which

could

.

n

o

t

.

last.

Reflection: This was a popular romantic-themed poem that I wrote back in January of 2023. I was looking to write a poem that went well with the haunting gem of a song (“Ramona” by Beck). I came across a Facebook profile of a wonderful person I met years ago who was with his fiancé at the time. I looked at his photos and saw what a wonderful married and family life they had created together over the years. I then thought about how sad it would have been had the key, starting moments had never happened and wrote this poem from that perspective which went along very well with the Beck song. Come to think of it, even a more recent friend has started down the same wonderful path with his fiancé and I might have been subconsciously thinking about that when writing this as well. Inspiration can come from pretty much everywhere when you write. If you listen to the Beck song at low volume while reading this poem, you might better get the “feel” of it.

☆°▪︎ YOU LOOK GOOD IN BLUE (WHEN THE MEMORY MOVES) ▪︎°☆

You

.

l

o

o

k

.

good

.

i

n

.

blue . . .

.

.

.

when

.

t

h

e

.

memory

.

moves . . .

.

.

.

You

.

l

o

o

k

.

good

.

i

n

.

blue . . .

.

.

.

when

.

t

h

e

.

memory

.

broods . . .

.

.

.

~ when

.

t

h

e

.

memory

.

moves . . .

.

.

.

a

n

d

the

.

memory

.

broods . . .

.

.

.

you

.

l

o

o

k

.

good

.

i

n

.

blue . . .

.

.

.

when

.

i

t

.

loves

.

m

e

.

too.

Reflection: This is a romantic-themed poem. I wrote the line: “you look good in blue,” and this simple poem wrote itself from that. I told an attractive neighbor that he looked good in blue, and that line stuck with me even though it is very common.

☆°▪︎ WHEN BEAUTY BLEEDS (I WISH I WAS LIKE YOU) ▪︎°☆

I

wish

I

was

more

.

l

i

k

e

.

you . . .

.

.

.

I

wish

I

was

more

.

l

i

k

e

.

you . . .

.

.

.

laughing

.

i

t

.

all

away . . .

.

.

.

Laughing

away

all

.

o

f

.

the

accumulating

payments

due . . .

.

.

.

Laughing

away

all

.

o

f

.

the

rumored

news

.

a

n

d

.

the

burdens

.

o

f

.

proof . . .

.

.

.

Laughing

away

the

gathering

gloom

.

i

n

.

the

middle

.

o

f

.

a

lonesome

room . . .

.

.

.

Laughing

away

all

.

o

f

.

the

phony

truths,

designed

.

t

o

.

pursue,

.

a

n

d

.

bruise,

.

a

n

d

.

ruin . . .

.

.

.

Laughing

.

i

t

.

all

away . . .

.

.

.

Laughing

.

i

t

.

all

away . . .

.

.

.

Laughing

.

i

t

.

all

away . . .

.

.

.

with

glamor,

.

.

.

with

grit,

.

.

.

a

n

d

with

grace . . .

.

.

.

day,

after

night,

after

day . . .

.

.

.

gray,

after

blue,

after

gray . . .

.

.

.

I

wish

I

was

more

.

l

i

k

e

.

you . . .

.

.

.

I

wish

I

was

more

.

l

i

k

e

.

you . . .

.

.

.

I

wish

I

was

more

.

l

i

k

e

.

you . . .

.

.

.

right

here

.

i

n

.

the

shadows

.

o

f

.

this

room . . .

.

.

.

 ~ right

here

.

i

n

.

the

shadows

.

o

f

.

this

room . . .

.

.

.

where

.

t

h

e

.

whiskey

seethes

.

i

n

.

jealousy . . .

.

.

.

The

whiskey

seethes . . .

.

.

.

The

whiskey

seethes . . .

.

.

.

The

whiskey

seethes . . .

.

.

.

i

n

jealousy . . .

.

.

.

a

n

d

swings,

.

a

n

d

.

pounds,

.

a

n

d

.

beats . . .

.

.

.

It

swings,

.

a

n

d

.

pounds,

.

a

n

d

.

beats . . .

.

.

.

It

swings,

.

a

n

d

.

pounds,

.

a

n

d

.

beats . . .

.

.

.

every

part

.

a

n

d

.

piece . . .

.

.

.

 ~ every

part

.

a

n

d

.

piece

.

o

f

.

memory . . .

.

.

.

a

n

d

the

belief

.

i

n

.

beauty . . .

.

.

.

 ~ the

belief

.

i

n

.

a

.

beauty

which

bleeds.

Reflection: This was a popular reflective-themed poem that I wrote back in October of 2022 in which the contemplator expresses appreciation of someone who has the strength, resilience, and positivity to gracefully navigate the stresses, strifes, and ups and downs of life.

I love the live, acoustic version of the Joni Mitchell song “People’s Parties” and the line “Laughing it all away” really hit home so I used that and expanded on it. I also love the live, acoustic version of the Phil Ochs song “Pleasures of the Harbor” and loved the line “The whiskey’s loud” and changed that to “the whiskey seethes in jealousy” and expanded on that. I wasn’t really expecting both sections to fit together very well in a single poem but they did. I wrote this poem off and on over a couple of days or so. It only took about a couple of hours to complete in total. I used both songs alternatively playing in the background at low volume to create the “moodset” for this poem. If you listen these songs at low volume while reading this poem, you might better get the “feel” of it.

☆°▪︎ HALLOWEEN ON REPEAT (I SCREAM) ▪︎°☆

Halloween

comes

nearly

every

day

.

o

f

.

every

week . . .

.

.

.

 ~ at

least

that’s

.

t

h

e

.

way

.

i

t

.

seems . . .

.

.

.

 ~ yes,

that’s

.

t

h

e

.

way

.

i

t

.

seems

.

t

o

.

me . . .

.

.

.

a

n

d

I

scream . . .

.

.

.

I

scream

.

i

n

t

o

.

the

deep,

where

guilty

shadows

scheme . . .

.

.

.

I

scream

.

i

n

t

o

.

the

deep,

where

.

t

h

e

.

haunting

never

sleeps . . .

.

.

.

a

n

d

the

haunting

never

sleeps . . .

.

.

.

 ~ it

whips

.

a

n

d

.

beats

until

.

I

.

bleed . . .

.

.

 ~ it

pounds

.

a

n

d

.

bruises

until

.

I

.

cannot

breathe . . .

.

.

.

 ~ until

.

I

.

cannot

breathe . . .

.

.

.

b

u

t

in

between

.

t

h

e

.

haunting

dreams . . .

.

.

.

a

n

d

in

between

.

t

h

e

.

whips

.

a

n

d

.

beats . . .

.

.

.

I

drown

.

i

n

.

the

defeat

.

o

f

.

what

might

have

been . . .

.

.

.

I

drown

.

i

n

.

the

defeat . . .

.

.

.

I

drown

.

i

n

.

the

defeat . . .

.

.

.

I

drown

.

i

n

.

the

defeat . . .

.

.

.

o

f

what

might

have

been . . .

.

.

h

a

d

it

been

another

day . . .

.

.

.

 ~ had

.

i

t

.

been

another

place . . .

.

.

.

 ~ had

.

i

t

.

been

another

page . . .

.

.

.

a

n

d

I

would

.

d

o

.

anything . . .

.

.

.

a

n

d

I

would

.

d

o

.

everything . . .

.

.

.

just

.

t

o

.

be

free . . .

.

.

.

 ~ yes,

I

would

.

d

o

.

anything . . .

.

.

.

a

n

d

I

would

.

d

o

.

everything . . .

.

.

.

just

.

t

o

.

be

free . . .

.

.

.

b

u

t

.

.

.

I

.

a

m

.

married

.

t

o

.

the

disease . . .

.

.

.

I

.

a

m

.

married

.

t

o

.

the

disease . . .

.

.

.

I

.

a

m

.

married

.

t

o

.

the

disease . . .

.

.

.

I

.

a

m

.

married

.

t

o

.

the

disease . . .

.

.

.

called

PTSD . . .

.

.

.

They

call

.

i

t

.

PTSD . . .

.

.

.

They

call

.

i

t

.

PTSD . . .

.

.

.

b

u

t

for

me

it’s

Halloween . . .

.

.

.

hour

.

b

y

.

hour . . .

.

.

.

a

n

d

week

.

b

y

.

week . . .

.

.

.

It’s

Halloween . . .

.

.

.

It’s

Halloween . . .

.

.

.

It’s

Halloween

.

o

n

.

repeat . . .

.

.

.

a

n

d

I

scream.

Reflection: This is a personal struggle-themed poem that I wrote back in October of 2022 in which the sufferer is stuck in a horrifying cycle which he or she cannot seem to escape. The line: “I scream into the deep,” then the opening lines came to me, and I wrote the poem starting from those. Another separate section came to me starting with “it whips and beats…” as did another separate section starting with “I drown in the defeat of what might have been” (this part came to me after hearing “Country Feedback” by REM – especially the part: “It’s crazy what you could have had.”). Somehow all of this blended together well. I started the poem on 15 October and finished it the very next day off and on without too much effort just in time for Halloween.

☆°▪︎ BATHED IN TURPENTINE (THE RAINBOW SKIES GONE BY) ▪︎°☆

°☆

☆°

°☆

.

.

.

.

.

.

You

can

.

b

e

.

blind

.

o

r

.

right . . .

.

.

.

o

r

right

.

o

r

.

blind . . .

.

.

.

b

u

t

neither

at

.

t

h

e

.

same

time . . .

.

.

.

n

o

r

neither

on

.

t

h

e

.

same

side . . .

.

.

.

n

o

r

neither

in

.

t

h

e

.

same

rhyme . . .

.

.

.

You

can

.

b

e

.

blind

.

o

r

.

right . . .

.

.

.

o

r

right

.

o

r

.

blind . . .

.

.

.

°☆

☆°

°☆

.

.

.

.

.

.

The

midnight 

.

o

f

.

my

mind

.

i

s

.

turpentine . . .

.

.

.

 ~ turpentine

to

.

t

h

e

.

rainbow

skies

that

cry . . .

.

.

.

The

rainbow

skies

cry . . .

.

.

.

The

rainbow

skies

cry . . .

.

.

.

The

rainbow

skies

cry . . .

.

.

.

a

l

l

hours

.

o

f

.

the

day

.

a

n

d

.

night . . .

.

.

.

They

cry . . .

.

.

.

They

cry . . .

.

.

.

f

o

r

the

miles

.

o

f

.

aisles,

.

.

o

f

.

.

springtime

smiles

gone

by . . .

.

.

.

They

cry . . .

.

.

.

They

cry . . .

.

.

.

f

o

r

the

painted

paradise

that

only

resides

.

i

n

.

the

rainbow

skies

.

o

f

.

a

mind . . .

.

.

.

 ~ the

painted

paradise

which

only

resides

.

i

n

.

the

rainbow

skies

.

o

f

.

a

mind

bathed

.

i

n

.

turpentine.

Reflection: This is a personal struggle-themed poem where the sufferer frequently does not realize he or she is suffering from anything because of the firm belief that everyone else is wrong. I wrote the turpentine lines in various forms while walking on Daytona Beach. I was thinking about 60s psychedelic songs by The Doors, The Moody Blues, and Jimi Hendrix and wanted a very creative, interesting line or phrase and the turpentine lines juxtaposed against the rainbow skies came to mind.

☆°▪︎ ESCAPE AND ERASE (THROUGH FIRE AND FLAME) ▪︎°☆

There

once

.

w

a

s

.

a

time

.

a

n

d

.

a

place,

where

.

I

.

almost

felt

.

t

h

a

t

.

way . . .

.

.

.

 ~ I

almost

felt

.

t

h

a

t

.

way . . .

.

.

.

i

n

that

.

time

.

a

n

d

.

in

.

t

h

a

t

.

place . . .

.

.

.

before

.

t

h

e

.

day

.

y

o

u

.

went

.

away . . .

.

.

.

You

.

w

e

n

t

.

away . . .

.

.

.

racing

.

d

o

w

n

.

those

runway

.

lanes . . .

.

.

.

 ~ racing

.

d

o

w

n

.

those

runway

.

lanes,

.

o

f

.

fire,

.

a

n

d

.

flame,

.

.

a

n

d

.

.

everything

.

y

o

u

.

could

.

erase

.

a

n

d

.

escape . . .

.

.

.

 ~ everything

.

y

o

u

.

could

.

erase

.

a

n

d

.

escape,

through

.

fire

.

a

n

d

.

flame . . .

.

.

.

racing

.

d

o

w

n

.

those

runway

.

lanes . . .

.

.

.

You

raced

.

d

o

w

n

.

those

runway

lanes . . .

.

.

.

You

raced

.

d

o

w

n

.

those

runway

lanes . . .

.

.

.

You

raced

.

d

o

w

n

.

those

runway

lanes,

.

o

f

.

fire

.

a

n

d

.

flame . . .

.

.

.

b

u

t

I

.

w

a

s

.

too

.

afraid . . .

.

.

.

I

.

w

a

s

.

too

afraid

.

o

f

.

the

change . . .

.

.

.

I

.

w

a

s

.

too

afraid

.

o

f

.

the

pace . . .

.

.

.

I

.

w

a

s

.

too

afraid

.

o

f

.

the

trade . . .

.

.

.

I

.

w

a

s

.

too

afraid

.

o

f

.

the

change.

Reflection: This is a romantic-themed poem in which one of the parties in a relationship was unable to keep pace or to accept the change – resulting in being left behind. I wrote much of the draft of this poem at the beach. Much of the words just came to me. So, I just tweaked it a little at home. It only took a few minutes to complete.

☆°▪︎ THE LOST AND LONESOME AISLES (OF GOODBYE) ▪︎°☆

I

would

rather

go

.

d

o

w

n

.

those

lost

.

a

n

d

.

lonesome

aisles

.

.

a

n

d

.

.

try . . .

.

.

.

I

would

rather

go

.

d

o

w

n

.

those

lost

.

a

n

d

.

lonesome

aisles . . .

.

.

.

I

would

rather

go

.

d

o

w

n

.

those

lost

.

a

n

d

.

lonesome

aisles . . .

.

.

.

I

would

rather

go

.

d

o

w

n

.

those

lost

.

a

n

d

.

lonesome

aisles

.

.

a

n

d

.

.

try . . .

.

.

.

t

o

keep

.

i

t

.

alive . . .

.

.

.

s

o

I

.

h

o

l

d

.

tight

.

t

o

.

the

end

.

o

f

.

the

line . . .

.

.

.

I

.

h

o

l

d

.

tight . . .

.

.

.

I

.

h

o

l

d

.

tight . . .

.

.

.

I

.

h

o

l

d

.

tight

.

t

o

.

the

end

.

o

f

.

the

line . . .

.

.

.

 ~ the

end

.

o

f

.

the

line . . .

.

.

.

o

f

goodbye . . .

.

.

.

f

o

r

I

want

.

s

o

.

much

.

t

o

.

try

.

t

o

.

keep

.

i

t

.

alive . . .

.

.

.

 ~ I

want

.

s

o

.

much

.

t

o

.

try . . .

.

.

.

while

.

t

h

e

.

shimmer

.

s

t

i

l

l

.

shines . . .

.

.

.

 ~ I

want

.

s

o

.

much

.

t

o

.

try . . .

.

.

.

while

.

t

h

e

.

rhythm

.

s

t

i

l

l

.

rhymes . . .

.

.

.

f

o

r

eyes

always

linger,

.

a

n

d

.

stay

behind . . .

.

.

.

especially

when

they

start

.

t

o

.

cry . . .

.

.

.

Eyes

always

linger

.

a

n

d

.

stay

behind . . .

.

.

.

Eyes

always

linger

.

a

n

d

.

stay

behind . . .

.

.

.

Eyes

always

linger

.

a

n

d

.

stay

behind . . .

.

.

.

especially

when

they

start

.

t

o

.

cry . . .

.

.

.

 ~ especially

when

they

start

.

t

o

.

cry . . .

.

.

.

On

some

other

day . . .

.

.

.

o

r

in

some

other

time . . .

.

.

.

I

might

.

s

t

i

l

l

.

see

.

y

o

u

.

smile . . .

.

.

.

 ~ yes,

.

o

n

.

some

other

day . . .

.

.

.

o

r

in

some

other

time . . .

.

.

.

I

might

.

s

t

i

l

l

.

see

.

y

o

u

.

smile . . .

.

.

.

I

might

.

s

t

i

l

l

.

see

.

y

o

u

.

smile . . .

.

.

.

I

might

.

s

t

i

l

l

.

see

.

y

o

u

.

smile . . .

.

.

.

I

might

.

s

t

i

l

l

.

see

.

y

o

u

.

smile . . .

.

.

.

o

n

some

other

day . . .

.

.

.

o

r

in

some

other

time . . .

.

.

.

b

u

t

now,

.

I

.

h

o

l

d

.

tight

.

t

o

.

the

end

.

o

f

.

the

line . . .

.

.

.

 ~ I

.

h

o

l

d

.

tight

.

t

o

.

the

end

.

o

f

.

the

line . . .

.

.

.

o

f

goodbye . . .

.

.

.

s

o

I

reach

.

f

o

r

.

you,

.

a

l

l

.

hours

.

o

f

.

the

days

.

a

n

d

.

nights . . .

.

.

.

I

reach

.

f

o

r

.

you . . .

.

.

.

I

reach

.

f

o

r

.

you . . .

.

.

.

I

reach

.

f

o

r

.

you . . .

.

.

.

a

n

d

go

.

d

o

w

n

.

those

lost

.

a

n

d

.

lonesome

aisles . . .

.

.

.

I

go

.

d

o

w

n

.

those

lost

.

a

n

d

.

lonesome

aisles . . .

.

.

.

I

go

.

d

o

w

n

.

those

lost

.

a

n

d

.

lonesome

aisles . . .

.

.

.

t

o

try

.

t

o

.

keep

.

i

t

.

alive . . .

.

.

.

 ~ I

try

.

t

o

.

keep

.

i

t

.

alive . . .

.

.

.

between

.

t

h

e

.

memories

.

t

h

a

t

.

collide,

.

a

n

d

.

align,

.

.

a

n

d

.

.

dance

.

side

.

b

y

.

side . . .

.

.

.

They

.

collide

.

a

n

d

.

align . . .

.

.

.

They

.

collide

.

a

n

d

.

align . . .

.

.

.

They

.

collide

.

a

n

d

.

align . . .

.

.

.

a

n

d

dance

.

side

.

b

y

.

side . . .

.

.

.

s

o

I

.

h

o

l

d

.

tight

.

t

o

.

the

end

.

o

f

.

the

line . . .

.

.

.

 ~ I

.

h

o

l

d

.

tight

.

t

o

.

the

end

.

o

f

.

the

line . . .

.

.

.

f

o

r

I

do

.

n

o

t

.

want

.

t

o

.

drown

.

i

n

.

the

demise

.

o

f

.

all

we

left

behind . . .

.

.

.

 ~ I

do

.

n

o

t

.

want

.

t

o

.

drown

.

i

n

.

the

demise

.

b

y

.

seeing

.

y

o

u

.

solely

.

i

n

.

the

shadows

.

o

f

.

my

mind . . .

.

.

.

s

o

I

.

h

o

l

d

.

tight

.

t

o

.

the

end

.

o

f

.

the

line . . .

.

.

.

I

.

h

o

l

d

.

tight

.

t

o

.

the

end

.

o

f

.

the

line . . .

.

.

.

I

.

h

o

l

d

.

tight

.

t

o

.

the

end

.

o

f

.

the

line . . .

.

.

.

o

f

goodbye.

Reflection: This is a melancholy-themed poem in which the affected party is witnessing the final moments of someone who meant a lot to him or her. It might be the final moments of a romantic relationship, of someone suffering from injury or illness, or of a dear friend or family member going down a troubled path or turning away from the affected party for some reason.

I wrote much of this poem over a week or so in reflection of one of my favorite movies: “Film Stars Don’t Die in Liverpool.”  I played the wonderful song “A Million Parachutes” by The Sixpence None the Richer, and this song served as the inspiration for the final phase of poem refinements (I played the song repeatedly on low volume to create the “moodset” for the final stages of the poem). This poem primarily reflects the sad end of the film but was important enough to me to keep trying and trying until it finally captured what I was seeking. If you listen to the song at low volume while reading this poem, you might better get the “feel” of it.

☆°▪︎ WINE, RHYTHM, AND RHYME (A SMILE OF SPRINGTIME) ▪︎°☆

I

thought

.

o

f

.

you

.

a

n

d

.

smiled . . .

.

.

.

a

n

d

wondered

how

your

life

had

gone

.

a

l

l

.

the

while . . .

.

.

.

 ~ all

.

t

h

e

.

while

you

were

.

n

o

t

.

mine . . .

.

.

.

I

.

w

a

s

.

surprised

.

t

o

.

find

how

many

lows

.

a

n

d

.

highs

.

h

a

d

.

gone

by . . .

.

.

.

 ~ how

many

lows

.

a

n

d

.

highs

.

h

a

d

.

gone

by . . .

.

.

.

since

.

w

e

.

shined

our

smiles

.

o

f

.

springtime . . .

.

.

.

We

shined

our

smiles

.

o

f

.

springtime . . .

.

.

.

back

when

the

days

.

o

f

.

me

.

a

n

d

.

you

were

new,

.

a

n

d

.

still

.

i

n

.

bloom . . .

.

.

.

 ~ they

.

w

e

r

e

.

new,

.

a

n

d

.

still

.

i

n

.

bloom . . .

.

.

.

a

n

d

we

knew

we

could

.

n

o

t

.

lose . . .

.

.

.

 ~ we

could

.

n

o

t

.

lose

.

i

n

.

those

restless

days

.

o

f

.

youth . . .

.

.

.

f

o

r

love

.

w

a

s

.

more

a

mood

than

a

proof . . .

.

.

.

a

n

d

we

could

move,

.

a

n

d

.

pursue,

.

a

n

d

.

do

whatever

.

w

e

.

wanted

to . . .

.

.

.

 ~ we

could

.

d

o

.

whatever

.

w

e

.

wanted

to . . .

.

.

.

i

n

those

restless

days

.

o

f

.

youth . . .

.

.

.

when

everything

.

w

a

s

.

new,

.

a

n

d

.

still

.

i

n

.

bloom . . .

.

.

.

 ~ when

everything

.

w

a

s

.

new,

.

a

n

d

.

still

.

i

n

.

bloom . . .

.

.

.

including

me

.

a

n

d

.

you . . .

.

.

.

How

much

.

t

i

m

e

.

passed

by . . .

.

.

.

since

.

w

e

.

shined

our

smiles

.

o

f

.

springtime

.

a

t

.

the

starting

line . . .

.

.

.

 ~ since

.

w

e

.

shined

our

smiles

.

o

f

.

springtime

.

a

t

.

the 

starting

line . . .

.

.

.

igniting

.

a

n

d

.

exciting

.

t

h

e

.

eyes

.

o

f

.

delight

which

came

alive

.

a

n

d

.

would

marvel

.

f

o

r

.

miles

.

a

t

.

a

time . . .

.

.

.

They

would

marvel

.

f

o

r

.

miles . . .

.

.

.

They

would

marvel

.

f

o

r

.

miles . . .

.

.

.

They

would

marvel

.

f

o

r

.

miles

.

a

t

.

a

time . . .

.

.

.

 ~ those

eyes

.

o

f

.

delight,

alive

.

i

n

.

our

springtime

smiles . . .

.

.

.

when

.

t

h

e

.

words,

.

t

h

e

.

rhythm,

.

a

n

d

.

the

rhyme

were

.

l

i

k

e

.

wine . . .

.

.

.

a

n

d

everything

.

w

a

s

.

fine . . .

.

.

.

 ~ yes,

everything

.

w

a

s

.

fine . . .

.

.

.

a

n

d

could

still

.

g

o

.

right . . .

.

.

.

 ~ everything

 could

still

.

g

o

.

right

.

i

n

.

time . . .

.

.

.

f

o

r

we

would

ride

.

t

h

e

.

skies

.

o

f

.

starshine . . .

.

.

.

We

would

ride

.

t

h

e

.

skies . . .

.

.

.

We

would

ride

.

t

h

e

.

skies . . .

.

.

.

We

would

ride

.

t

h

e

.

skies

.

o

f

.

starshine . . .

.

.

.

nice,

.

a

n

d

.

bright,

.

.

a

n

d

.

.

high,

.

a

n

d

.

wide . . .

.

.

.

mile,

after

mile,

after

mile,

after

mile . . .

.

.

.

smile,

after

smile,

after

smile,

after

smile . . .

.

.

.

f

o

r

we

.

h

a

d

.

rhyme,

.

a

n

d

.

wine,

.

a

n

d

.

candlelight

.

o

n

.

our

side . . .

.

.

.

 ~ we

.

h

a

d

.

rhyme,

.

a

n

d

.

wine,

.

a

n

d

.

candlelight

.

o

n

.

our

side . . .

.

.

when

.

w

e

.

shined

.

o

u

r

.

springtime

smiles . . .

.

.

.

 ~ when

.

w

e

.

shined

.

o

u

r

.

springtime

smiles . . .

.

.

.

I

thought

.

o

f

.

you

.

a

n

d

.

smiled . . .

.

.

.

a

n

d

wondered

how

your

life

had

gone

.

a

l

l

.

the

while . . .

.

.

.

 ~ all

.

t

h

e

.

while

you

were

.

n

o

t

.

mine.

Reflection: This was a popular romantic-themed poem I wrote back in August 2022 which largely reflects looking back on a cherished, one-of-a-kind, past romance – and is something most of us have probably experienced in our lives. Romance seemed so much easier in the days of youth when expectations were much lower, and we were less judgmental and more forgiving towards each other.

The opening lines to this poem came to me while I was at New Smyrna Beach. The remainder of the poem came into being a couple of weeks later by the accidental intersection of one of my favorite movies (“Film Stars Don’t Die in Liverpool.”) and an old song on the radio that I had never heard before on the drive back from Daytona Beach (“Come Saturday Morning” by The Sandpipers which was a tiny but catchy echo from back in 1970 – its peak position on the charts was at #17). And although this song was not in the movie, and not much of a hit, it really hit me and fit perfectly with what I was reflecting on and trying to capture.

The song served as the primary inspiration for the poem which took several iterations to write (while playing the song repeatedly on low volume to create the “moodset” for the poem). If you listen to the song at low volume while reading this poem, you might better get the “feel” of it.

☆°▪︎ TO DANCE THE DAYS AWAY (AND DANCE AWAY THE DAYS) ▪︎°☆

°☆

☆°

°☆

.

.

.

.

.

.

I

wanted

.

t

o

.

love

you . . .

.

.

.

a

n

d

would

have

loved

you . . .

.

.

.

anyway . . .

.

.

.

b

u

t

we

.

danced

.

t

h

e

.

days

.

away . . .

.

.

.

a

n

d

danced

.

away

.

t

h

e

.

days . . .

.

.

.

 ~ we

danced

.

away

.

t

h

e

.

days . . .

.

.

.

a

n

d

strayed

i

n

t

o

the

.

fade . . .

.

.

.

°☆

☆°

°☆

.

.

.

.

.

.

In

.

t

h

e

.

pale,

gray,

nostalgic

.

haze . . .

.

.

.

I

.

saw

.

t

h

e

.

trace

.

o

f

.

your

.

face . . .

.

.

.

a

n

d

came

.

across

.

t

h

e

.

place,

where

.

w

e

.

once

.

embraced . . .

.

.

.

 ~ I

came

across

.

t

h

e

.

place,

where

.

w

e

.

once

.

embraced,

.

.

a

n

d

.

.

danced

.

t

h

e

.

days

.

away . . .

.

.

.

We

.

embraced,

.

a

n

d

.

played,

.

a

n

d

.

danced

.

t

h

e

.

days . . .

.

.

.

We

.

embraced,

.

a

n

d

.

played,

.

a

n

d

.

danced

.

t

h

e

.

days . . .

.

.

.

We

.

embraced,

.

a

n

d

.

played,

.

a

n

d

.

danced

.

t

h

e

.

days . . .

.

.

.

away . . .

.

.

.

b

u

t

then

.

w

e

.

strayed

.

i

n

t

o

.

the

.

fade . . .

.

.

.

 ~ we

strayed

.

i

n

t

o

.

the

.

fade . . .

.

.

.

a

n

d

everything

.

changed . . .

.

.

.

 ~ yes,

everything

.

changed

.

a

n

d

.

was

.

never

.

t

h

e

.

same

.

again . . .

.

.

.

i

n

the

.

ways

.

w

e

.

would

.

blame,

.

a

n

d

.

complain,

.

a

n

d

.

fail

.

t

o

.

engage . . .

.

.

.

 ~ in

.

t

h

e

.

ways

.

w

e

.

would

.

rage,

.

a

n

d

.

shame,

.

a

n

d

.

just

turn

.

away . . .

.

.

.

 ~ we

would

.

j

u

s

t

.

turn

.

away,

.

a

n

d

.

let

.

t

h

e

.

memories

.

decay . . .

.

.

.

b

u

t

still,

.

I

.

would

.

h

a

v

e

.

loved

.

you . . .

.

.

.

anyway . . .

.

.

.

 ~ I

would

.

h

a

v

e

.

loved

.

you . . .

.

.

.

anyway . . .

.

.

.

In

.

t

h

e

.

pale,

gray,

nostalgic

.

haze . . .

.

.

.

I

.

saw

.

t

h

e

.

trace

.

o

f

.

your

.

face . . .

.

.

.

a

n

d

came

.

across

.

t

h

e

.

place,

where

.

w

e

.

once

.

embraced . . .

.

.

.

 ~ I

came

.

across

.

t

h

e

.

place,

where

.

w

e

.

once

.

embraced,

.

.

a

n

d

.

.

danced

.

t

h

e

.

days

.

away . . .

.

.

.

a

n

d

danced

.

away

.

t

h

e

.

days . . .

.

.

.

We

danced

.

away

.

t

h

e

.

days . . .

.

.

.

We

danced

.

away

.

t

h

e

.

days . . .

.

.

.

We

danced

.

away

.

t

h

e

.

days . . .

.

.

.

a

n

d

strayed

.

i

n

t

o

.

the

.

fade.

Reflection: This is a romantic-themed poem in which the affected party is looking back on a cherished romance from the distant past, wonders if something could have been done to save it and ponders whether he or she will ever experience something like that again. This poem came into being by the accidental intersection of one of my favorite movies (“Film Stars Don’t Die in Liverpool.”) and an old song on the radio that I had never heard before on the drive back from Daytona Beach (“Come Saturday Morning” by The Sandpipers which was a tiny but catchy echo from back in 1970 – its peak position on the charts was at #17). And although this song was not in the movie, and not much of a hit, it really hit me and fit perfectly with what I was reflecting on and trying to capture. This poem pretty much wrote itself (while playing the song repeatedly on low volume to create the “moodset” for the poem). The poem was written fairly quickly. If you listen to the song at low volume while reading this poem, you might better get the “feel” of it.