☆°▪︎ CHASING THE WAVES (OF THE L.A. HAZE) ▪︎°☆

I

remember

.

t

h

e

.

days . . .

.

.

.

when

I

chased

wave,

after

wave,

after

wave . . .

.

.

.

~ I

chased

wave,

after

wave,

after

wave . . .

.

.

.

o

f

the

swirling

L.A.

haze . . .

.

.

.

~ I

chased

wave,

after

wave,

after

wave . . .

.

.

.

o

f

the

swirling

L.A.

haze . . .

.

.

.

a

n

d

came

back

again . . .

.

.

.

I

came

back

again . . .

.

.

.

I

came

back

again . . .

.

.

.

I

came

back

again . . .

.

.

.

play,

after

play,

after

play . . .

.

.

.

page,

after

page,

after

page . . .

.

.

.

a

n

d

escape,

after

escape,

after

escape . . .

.

.

.

A

face . . .

.

.

.

a

n

d

then

.

a

.

gaze . . .

.

.

.

a

n

d

then

.

a

.

name . . .

.

.

.

A

face . . .

.

.

.

a

n

d

then

.

a

.

gaze . . .

.

.

.

a

n

d

then

.

a

.

name . . .

.

.

.

a

n

d

then

another . . .

.

.

.

a

n

d

then

another . . .

.

.

.

a

n

d

then

another . . .

.

.

.

a

n

d

then

another . . .

.

.

.

a

n

d

then

another . . .

.

.

.

I

came

back

again . . .

.

.

.

I

came

back

again . .

.

.

I

came

back

again . . .

.

.

.

a

n

d

again . . .

.

.

.

a

n

d

again . . .

.

.

.

I

chased

wave,

after

wave,

after

wave . . .

.

.

.

I

chased

wave,

after

wave,

after

wave . . .

.

.

.

I

chased

wave,

after

wave,

after

wave . . .

.

.

.

o

f

the

swirling

L.A.

haze . . .

.

.

.

~ I

chased

wave,

after

wave,

after

wave . . .

.

.

.

o

f

the

swirling

L.A.

haze . . .

.

.

.

a

n

d

came

back

again.

Reflection:

I wrote this poem about a recent visit to Los Angeles where the “vibe” I observed wasn’t anything close to what it was like on previous occasions – years ago. Several of my favorite places were no longer there – many of which were vacant. On the one hand, I was very thankful I got to experience as much of it as I did over the years and had a wonderful time doing it. On the other hand, I was disappointed that all of that vibrant energy seemed to fade and felt a bit sad for the people of today that would never experience it or know what all of that was like.

So, the primary message of this poem is to participate in (and make the most out of) experiences as they unfold in life before they pass. I’ve had several experiences like that in my life and am happy I took the time to experience them while they were new, vibrant, and exhilarating. And I encourage you to do the same because I would never trade those memories.

☆°▪︎ STONE PRIDE ▪︎°☆

They

only

beat

.

a

n

d

.

strike . . .

.

.

.

a

n

d

beat

.

a

n

d

.

strike . . .

.

.

.

till

tears

fill

.

y

o

u

r

.

eyes . . .

.

.

.

They

beat

.

a

n

d

.

strike . . .

.

.

.

a

n

d

beat

.

a

n

d

.

strike . . .

.

.

.

b

u

t

stone

pride

does

.

n

o

t

.

cry.

Reflection:  I heard the lyric “They only hit until you cry” in Suzanne Vega’s song “Luka” and this was such a powerful lyric that it inspired me to write this short, simple poem.

☆°▪︎ THE RELENTLESS ROAD (OF HOPE) ▪︎°☆

I

woke

.

u

p

.

alone . . .

.

.

.

a

n

d

far

away

.

f

r

o

m

.

home . . .

.

.

.

I

woke

.

u

p

.

far

away

.

f

r

o

m

.

home . . .

.

.

.

a

n

d

alone . . .

.

.

.

The

miles

ahead

stretched

.

l

o

n

g

e

r

.

along

.

t

h

e

.

road

.

.

.

a

n

d

the

breath

.

o

f

.

time

began

.

t

o

.

s ~ l ~ o ~ w . . .

.

.

.

 ~ yes,

there

were

.

l

o

n

g

e

r

.

miles

.

t

o

.

go . . .

.

.

.

all

along

that

road . . .

.

.

.

where

.

t

h

e

.

breath

.

o

f

.

time

began

.

t

o

.

s ~ l ~ o ~ w . . .

.

.

.

 ~ where

.

t

h

e

.

breath

.

o

f

.

time

began

.

t

o

.

s ~ l ~ o ~ w . . .

.

.

.

because

blow

.

a

f

t

e

r

.

blow . . .

.

.

.

t

h

e

shadows

swallow . . .

.

.

.

The

shadows

swallow . . .

.

.

.

when

you’re

.

d

o

w

n

.

so

deep . . .

.

.

.

 ~ when

you’re

.

d

o

w

n

.

so

low . . .

.

.

.

The

shadows

swallow . . .

.

.

.

The

shadows

swallow . . .

.

.

.

s

o

blow,

.

a

f

t

e

r

.

blow,

.

a

f

t

e

r

.

blow . . .

.

.

.

you

have

.

t

o

.

fight

.

f

o

r

.

every

mile

.

o

f

.

that

relentless

road . . .

.

.

.

Blow,

.

a

f

t

e

r

.

blow,

.

a

f

t

e

r

.

blow . . .

.

.

.

you

have

.

t

o

.

hope

even

when

time

begins

.

t

o

.

s ~ l ~ o ~ w . . .

.

.

.

 ~ you

have

.

t

o

.

fight

.

f

o

r

.

every

mile

.

o

f

.

that

road . . .

.

.

.

a

n

d

hope

when

time

begins

.

t

o

.

s ~ l ~ o ~ w . . .

.

.

.

t

o

find

.

y

o

u

r

.

way

.

b

a

c

k

.

home . . .

.

.

.

t

o

find

.

y

o

u

r

.

way

.

b

a

c

k

.

home . . .

.

.

.

blow,

.

a

f

t

e

r

.

blow,

.

a

f

t

e

r

.

blow.

Reflection:  Sometimes, when I travel, I reconnect with various music artists of the past. For some reason, Bruce Springsteen kept coming up on the Portugal trip I took in early-to-mid 2024. Much of his music has an honest reflective but melancholy vibe to it. That’s part of what I have loved about his music. I below poem came to me while listening to some of his music. I wrote it sort of as a tribute to Bruce.

While on my trip to Portugal, I was listening to various musicians I hadn’t heard in a while. One of those was Bruce Springsteen – I had forgotten how moving his music and lyrics were. So, I thought I’d try to write a second poem as a tribute to him while playing some of his songs in the background at low volume. The primary ones that I played to inspire the writing of this poem were: “Downbound Train” and “One Step Up.” I played these songs in the background at low volume to create the “moodset” for the poem. If you listen to these songs at low volume while reading this poem, you might better get the “feel” of it.

☆°▪︎ THE FALL OF WINTERTIME ▪︎°☆

I

still

recall

the

.

f

a

l

l

.

of

wintertime . . .

.

.

.

f

o

r

it

was

the

.

f

a

l

l

.

of

wintertime . . .

.

.

.

when

your

eyes

burned

so

bright . . .

.

.

.

 ~ when

your

eyes

burned

so

bright . . .

.

.

.

with

a

smile . . .

.

.

.

f

o

r

another

guy . . .

.

.

.

Your

eyes

burned

bright . . .

.

.

.

Your

eyes

burned

bright . . .

.

.

.

Your

eyes

burned

bright . . .

.

.

.

with

a

smile . . .

.

.

.

f

o

r

another

guy . . .

.

.

.

I

still

recall

the

.

f

a

l

l

.

of

wintertime . . .

.

.

.

I

still

recall

the

.

f

a

l

l

.

of

wintertime . . .

.

.

.

I

still

recall

the

.

f

a

l

l

.

of

wintertime . . .

.

.

.

f

o

r

that

.

w

a

s

.

the

last

time . . .

.

.

.

 ~ yes,

that

.

w

a

s

.

the

last

time . . .

.

.

.

I

saw

your

eyes

burn

.

s

o

.

bright . . .

.

.

.

with

a

smile.

Reflection:  This poem was written about a fading romance and the sinking feelings that can come with it. I wrote most of this poem by listening to the wonderful, haunting gem of a song “Your Worst Song is Your Greatest Hit” by The Reds, the Pinks and Purples which I played in the background to create the “moodset” and inspire the writing of the poem. If you listen to the song at low volume while reading this poem, you might better get the “feel” of it.

 

☆°▪︎ BLISTERS, BURNS, AND BLURS (A SCREAM BEHIND THE DOOR) ▪︎°☆

I

remember

feeling . . .

.

.

.

 ~ I

remember

feeling

.

t

h

i

s

.

way

before . . .

.

.

.

I

felt

.

t

h

i

s

.

way

before . . .

.

.

.

w

h

e

n

I

fell

beneath

.

t

h

e

.

floor . . .

.

.

.

 ~ I

.

f

e

l

l

.

beneath

.

t

h

e

.

floor . . .

.

.

.

a

n

d

screamed

behind

.

t

h

e

.

door . . .

.

.

.

 ~ I

screamed

behind

.

t

h

e

.

door . . .

.

.

.

b

u

t

could

.

n

o

t

.

rise

above

.

t

h

e

.

roar . . .

.

.

.

 ~ I

could

.

n

o

t

.

rise

above

.

t

h

e

.

roar . . .

.

.

.

s

o

I

continued

.

t

o

.

fight

.

t

h

e

.

war . . .

.

.

.

 ~ I

continued

.

t

o

.

fight

.

t

h

e

.

war . . .

.

.

.

a

n

d

now

I

stand

upon

a

distant

shore . . .

.

.

.

 ~ I

stand

upon

a

distant

shore . . .

.

.

.

far

away

.

f

r

o

m

.

the

blisters,

burns,

a

n

d

blurs . . .

.

.

.

 ~ far

away

.

f

r

o

m

.

the

whispered

words

a

n

d

hurts . . .

.

.

.

arguing

.

f

o

r

.

less

than

.

m

y

.

worth . . .

.

.

.

b

u

t

for

more

than

I

deserved . . .

.

.

.

 ~ they

argued

.

f

o

r

.

less

than

.

m

y

.

worth . . .

.

.

.

b

u

t

for

more

than

I

deserved . . .

.

.

.

 ~ it

was

more

than

I

deserved . . .

.

.

.

 ~ it

was

more

than

I

deserved . . .

.

.

.

 ~ it

was

more

than

I

deserved . . .

.

.

.

f

o

r

I

was

.

a

t

.

my

worst . . .

.

.

.

I

remember

feeling . . .

.

.

.

 ~ I

remember

feeling

.

t

h

i

s

.

way

before . . .

.

.

.

I

felt

.

t

h

i

s

.

way

before . . .

.

.

.

w

h

e

n

I

fell

beneath

.

t

h

e

.

floor . . .

.

.

.

 ~ when

 I

.

f

e

l

l

.

beneath

.

t

h

e

.

floor . . .

.

.

.

a

n

d

screamed

behind

.

t

h

e

.

door.

Reflection:  This poem largely reflects an ongoing, internal struggle – from some kind of trauma that was experienced previously. It continues to resurface and the anxious sufferer senses another episode is on the way. Many people who have either experienced trauma or who have helped others in these regards will probably relate strongly to this poem.

I wrote most of this poem by listening to the wonderful, haunting gem of a song “No End to Love” by Orlando Weeks which I played in the background to create the “moodset” for the poem, and inspire the writing of the poem. So, if you listen to the song at low volume while reading this poem, you might better get the “feel” of it.

☆°▪︎ A CRY OF SUNSHINE ▪︎°☆

Can

.

y

o

u

.

feel

it?

.

.

.

It

.

i

s

.

the

first

touch

.

o

f

.

sunshine,

felt

.

i

n

.

a

very

long

time . . .

.

.

.

 ~ the

first

touch

.

o

f

.

sunshine,

felt

.

i

n

.

a

long

time . . .

.

.

.

Can

.

y

o

u

.

hear

it?

.

.

.

It

.

i

s

.

the

soothing

song

that

makes

.

y

o

u

.

smile,

.

a

n

d

.

sing

along . . .

.

.

.

 ~ the

soothing

song

that

makes

.

y

o

u

.

smile,

.

a

n

d

.

sing

along . . .

.

.

.

Can

.

y

o

u

.

see

it?

.

.

.

It

.

i

s

.

the

warm

tears

.

o

f

.

hope,

when

you’ve

traveled

alone

.

a

n

d

.

wandered

far

from

home . . .

.

.

.

When

you’ve

traveled

alone . . .

.

.

.

When

you’ve

traveled

alone . . .

.

.

.

When

you’ve

traveled

alone . . .

.

.

.

a

n

d

wandered

far

from

home . . .

.

.

.

b

u

t

begin

.

t

o

.

recognize

a

friendly,

familiar

road . . .

.

.

.

 ~ you

recognize

a

friendly,

familiar

road . . .

.

.

.

Can

.

y

o

u

.

breathe

it?

.

.

.

It

.

i

s

.

the

warming,

welcome

scent

.

o

f

.

the

place

.

y

o

u

.

used

.

t

o

.

go

.

t

o

.

slow,

.

a

n

d

.

let

your

spirit

show . . .

.

.

.

 ~ the

place

.

y

o

u

.

used

.

t

o

.

go

.

t

o

.

let

your

spirit

show . . .

.

.

.

Each,

.

a

n

d

.

all,

.

a

n

d

.

every

type

.

o

f

.

warmth

.

a

n

d

.

kindness

left

behind . . .

.

.

.

remains

.

w

i

t

h

.

you

.

a

l

l

.

the

time . . .

.

.

.

 ~ every

warmth

.

a

n

d

.

kindness

left

behind . . .

.

.

.

remains

.

w

i

t

h

.

you

.

a

l

l

.

the

time . . .

.

.

.

s

o

feel

it . . .

.

.

.

a

n

d

hear

it . . .

.

.

.

a

n

d

see

it . . .

.

.

.

a

n

d

breathe

it . . .

.

.

.

f

o

r

every

warmth

.

a

n

d

.

kindness

left

behind . . .

.

.

.

every

warmth

.

a

n

d

.

kindness

left

behind . . .

.

.

.

every

warmth

.

a

n

d

.

kindness

left

behind . . .

.

.

.

remains

.

w

i

t

h

.

you

.

a

l

l

.

the

time.

Reflection: I played the wonderful gem of a song “Cold Comfort” by STRFKR in the background to create the “moodset” for the poem. If you listen to the song at low volume while reading this poem, you might better get the “feel” of it.

☆°▪︎ THE WINGMAN ▪︎°☆

When

you

have

fallen

.

t

o

.

the

floor,

a

n

d

then

you

.

f

a

l

l

.

some

more . . .

.

.

.

When

you

have

lost

.

i

t

.

all,

a

n

d

are

crushed

against

.

t

h

e

.

wall . . .

.

.

.

When

everything

once

firm

begins

.

t

o

.

blur,

a

n

d

you

feel

.

n

o

.

longer

sure . . .

.

.

.

When

you

want

.

s

o

.

much

.

t

o

.

die,

a

n

d

just

need

.

a

.

hopeful

sign . . .

.

.

.

you

can

look

right

.

a

n

d

.

slightly

behind . . .

.

.

.

a

n

d

there

you

.

w

i

l

l

.

always

find,

.

t

h

e

.

outline

.

o

f

.

a

face

you

recognize . . .

.

.

.

 ~ you

will

always

find

a

face

you

recognize . . .

.

.

.

ready

.

t

o

.

heave,

.

a

n

d

.

lift,

.

a

n

d

.

pull

.

t

h

e

.

line . . .

.

.

.

a

n

d

shine

.

a

.

smiling,

warming,

guiding

light . . .

.

.

.

time,

after

time,

after

time,

after

time . . .

.

.

.

through

all

.

o

f

.

the

dust

.

a

n

d

.

dirt . . .

.

.

.

through

all

.

o

f

.

the

twists

.

a

n

d

.

turns . . .

.

.

.

a

n

d

through

all

.

o

f

.

the

harms

.

a

n

d

.

hurts . . .

.

.

.

even

those

that

still

haunt

.

a

n

d

.

burn . . .

.

.

.

 ~ even

those

that

still

haunt

.

a

n

d

.

burn . . .

.

.

.

You

can

climb . . .

.

.

.

You

can

dive . . .

.

.

.

a

n

d

you

can

roll

.

a

n

d

.

whip

f

r

o

m

side

.

t

o

.

side . . .

.

.

.

b

u

t

there

will

never

.

b

e

.

too

wide

.

a

.

divide . . .

.

.

.

o

r

too

deep

.

a

.

decline . . .

.

.

.

f

o

r

me

.

t

o

.

let

go

.

o

f

.

that

line . . .

.

.

.

I

will

grip

.

i

t

.

tight,

with

.

a

l

l

.

my

might . . .

.

.

.

I

will

hold

.

t

h

a

t

.

line,

until

.

t

h

e

.

end

.

o

f

.

time . . .

.

.

.

I

will

hold

.

t

h

a

t

.

line,

until

.

t

h

e

.

end

.

o

f

.

time . . .

.

.

.

a

n

d

when

you

come

out

.

t

h

e

.

other

side . . .

.

.

.

o

r

just

need

.

a

.

hopeful

sign . . .

.

.

.

you

can

look

right

.

a

n

d

.

slightly

behind . . .

.

.

.

a

n

d

there

you

.

w

i

l

l

.

always

find,

.

t

h

e

.

outline

.

o

f

.

a

face

you

recognize . . .

.

.

.

 ~ you

will

always

find

a

face

you

recognize . . .

.

.

.

ready

.

t

o

.

heave,

.

a

n

d

.

lift,

.

a

n

d

.

pull

.

t

h

e

.

line . . .

.

.

.

a

n

d

shine

.

a

.

smiling,

warming,

guiding

light . . .

.

.

.

time,

after

time,

after

time,

after

time . . .

.

.

.

I

might

.

b

e

.

the

quiet

type,

b

u

t

I

have

.

a

.

watchful

eye . . .

.

.

.

 ~ I

have

.

a

.

watchful

eye . . .

.

.

.

a

n

d

listen

.

f

o

r

.

the

faintest

slight . . .

.

.

.

 ~ I

listen

.

f

o

r

.

the

faintest

slight . . .

.

.

.

a

n

d

those

who

fly

too

wide

left

.

o

r

.

too

wide

right,

might

.

b

e

.

surprised

.

t

o

.

find

they

are

.

o

n

.

the

wrong

side

.

o

f

.

that

fight . . .

.

.

.

 ~ they

might

.

b

e

.

surprised

.

t

o

.

find

they

are

.

o

n

.

the

wrong

side

.

o

f

.

that

fight . . .

.

.

.

when

a

smile

draws

tight

a

n

d

the

eyes

ignite . . .

.

.

.

 ~ a

smile

draws

tight

a

n

d

the

eyes

ignite . . .

.

.

.

against

the

wrong

side

.

o

f

.

that

fight . . .

.

.

.

When

you

have

fallen

.

t

o

.

the

floor,

a

n

d

then

you

.

f

a

l

l

.

some

more . . .

.

.

.

When

you

have

lost

.

i

t

.

all,

a

n

d

are

crushed

against

.

t

h

e

.

wall . . .

.

.

.

When

everything

once

firm

begins

.

t

o

.

blur,

a

n

d

you

feel

.

n

o

.

longer

sure . . .

.

.

.

When

you

want

.

s

o

.

much

.

t

o

.

die,

a

n

d

just

need

.

a

.

hopeful

sign . . .

.

.

.

you

can

look

right

.

a

n

d

.

slightly

behind . . .

.

.

.

a

n

d

there

you

.

w

i

l

l

.

always

find,

.

t

h

e

.

outline

.

o

f

.

a

face

you

recognize . . .

.

.

.

 ~ you

will

always

find

.

a

.

face

you

recognize . . .

.

.

.

time,

after

time,

after

time,

after

time.

Reflection:

This was an important poem for me to write. I was out one night when the title flashed in my mind and many of the words flowed immediately after, and I realized I had a lot to say about this.

For those who have special people in their lives that remain by their side time after time no matter what happens or how bad things get, please realize that many people in life never get to experience that. So, my hope is this poem will inspire you to warmly appreciate those wonderful people in your life who always go the extra mile, who always cheer you on no matter what happens, and who you can always rely on. Because such people are rare, and this poem was written for them but also for you. May this poem inspire you to recognize and warmly appreciate the wonderful people in your life who remain by your side no matter what happens in life.

I have been that person for certain others in my life, and others have been that person for me. So, I’ve been very fortunate.

I wrote most of this poem by listening to “The Impossible Dream” by Jack Jones which I played in the background to create the “moodset” for the poem. I also used “Adeline” by Alt-J, “Brothers in Arms” by Dire Straits, and “Goodnight Saigon” by Billy Joel to help fine tune the poem. So, if you listen to either (or all) of these songs at low volume while reading this poem, you might better get the “feel” of it.

☆°▪︎ TO IGNITE A LIFE (A DETERMINED DRIVE) ▪︎°☆

To

climb

f

r

o

m

the

deepest,

darkest

decline . . .

.

.

.

To

try

even

when

badly

beat

a

n

d

barely

alive . . .

.

.

.

To

fight

f

o

r

every

inch

o

f

each

merciless

mile . . .

.

.

.

To

raise

a

head

high

i

n

the

daylight

w

i

t

h

a

strong

sense

o

f

pride . . .

.

.

.

This

i

s

the

life

I

will

ignite . . .

.

.

.

This

i

s

the

life

that

will

b

e

mine . . .

.

.

.

A

life

built

beyond

t

h

e

relentless

plight . . .

.

.

.

A

life

created

b

y

supreme

sacrifice . . .

.

.

.

A

life

fueled

b

y

determined

drive . . .

.

.

.

a

n

d

.

.

.

I

won’t

b

e

denied . . .

.

.

.

 ~ No, I

won’t

b

e

denied . . .

.

.

.

To

climb

f

r

o

m

the

deepest,

darkest

decline . . .

.

.

.

To

try

even

when

badly

beat

a

n

d

barely

alive . . .

.

.

.

To

fight

f

o

r

every

inch

o

f

each

merciless

mile . . .

.

.

.

To

raise

a

head

high

i

n

the

daylight

w

i

t

h

a

strong

sense

o

f

pride . . .

.

.

.

This

i

s

the

life

I

will

ignite . . .

.

.

.

This

i

s

the

life

that

will

b

e

mine.

Reflection:

There is a classic song that I just love (musically speaking) but I hate much of the lyrics (it’s a bit too blindly patriotic for my tastes). I thought, gosh, so many more people could relate to this song if the lyrics were changed – so, I took it upon myself to do just that. And the overwhelming positive response I received after publishing this poem resulted in it being one of my best loved poems of all time.

I felt that this poem was a very important poem for me to write. It had a lot of significance for my life but was more importantly written for those who struggle again and again in life. Victory is assured for those who stand firm and endure – it is only a question of focus, strength, and determination. May this poem inspire those who struggle to keep fighting.

I used the music from the song “The Impossible Dream” (I like both the Jack Jones and Frank Sinatra versions of this song – musically speaking), at low volume, to create the “moodset” while writing this poem. So, if you listen to the song at low volume while reading this poem, you might better get the “feel” of it.

☆°▪︎ REGRET SINGS RELENTLESSLY (THE HAUNTING TUNES OF TRUTH) ▪︎°☆

I

achieved

my

dream . . .

.

.

.

a

n

d

you

achieved

your

dream . . .

.

.

.

b

u

t

it’s

not

nearly

a

s

sweet

a

s

initially

seemed . . .

.

.

.

not

nearly

a

s

sweet . . .

.

.

.

not

nearly

a

s

sweet . . .

.

.

.

not

nearly

a

s

sweet

a

s

initially

seemed . . .

.

.

.

f

o

r

I

am

here . . .

.

.

.

a

n

d

you

are

there . . .

.

.

.

w

i

t

h

accum

ulating

time

a

n

d

distance

between . . .

.

.

.

time

a

n

d

distance . . .

.

.

.

a

n

d

distance

a

n

d

time . . .

.

.

.

were

all

the

rewards

w

e

would

find . . .

.

.

.

f

r

o

m

all

o

f

that

romance,

a

n

d

rapture,

a

n

d

rhyme . . .

.

.

.

time

a

n

d

distance . . .

.

.

.

a

n

d

distance

a

n

d

time . . .

.

.

.

dimming

t

h

e

days

gone

by . . .

.

.

.

dimming . . .

.

.

.

dimming . . .

.

.

.

dimming . . .

.

.

.

t

h

e

days

gone

by . . .

.

.

.

f

r

o

m

all

o

f

that

romance,

a

n

d

rapture,

a

n

d

rhyme . . .

.

.

.

before

w

e

pursued

those

dreams

i

n

our

youth . . .

.

.

.

not

knowing

how

much

w

e

might

lose . . .

.

.

.

 ~ not

knowing

how

much

w

e

might

lose . . .

.

.

.

f

o

r

regret

sings

relent

lessly,

the

most

haunting

tunes

o

f

truth . . .

.

.

.

Regret

sings

relent

lessly . . .

.

.

.

Regret

sings

relent

lessly . . .

.

.

.

Regret

sings

relent

lessly . . .

.

.

.

t

h

e

most

haunting

tunes

o

f

truth . . .

.

.

.

f

o

r

it’s

not

achieve

ment

o

f

the

goal

that

fills

the

soul . . .

.

.

.

It’s

not

achieve

ment

o

f

the

goal . . .

.

.

.

It’s

not

achieve

ment

o

f

the

goal . . .

.

.

.

It’s

not

achieve

ment

o

f

the

goal . . .

.

.

.

that

fills

the

soul . . .

.

.

.

b

u

t

who

i

s

with

you

when

y

o

u

go . . .

.

.

.

a

n

d

who

i

s

with

you

where

y

o

u

go . . .

.

.

.

a

n

d

who

i

s

with

you

a

t

the

end

o

f

that

road.

Reflection: This poem was largely inspired by the ending of “La La Land” where actress Emma Stone looks at Ryan Gosling playing the piano who both have separate new lives (especially her with a husband and child) and shares a secret smile with him for the times gone by that her husband/child know nothing about. It was a great moment in the movie.

☆°▪︎ WINE, RHYTHM, AND RHYME (A SMILE OF SPRINGTIME) ▪︎°☆

I

thought

.

o

f

.

you

.

a

n

d

.

smiled . . .

.

.

.

a

n

d

wondered

how

your

life

had

gone

.

a

l

l

.

the

while . . .

.

.

.

 ~ all

.

t

h

e

.

while

you

were

.

n

o

t

.

mine . . .

.

.

.

I

.

w

a

s

.

surprised

.

t

o

.

find

how

many

lows

.

a

n

d

.

highs

.

h

a

d

.

gone

by . . .

.

.

.

 ~ how

many

lows

.

a

n

d

.

highs

.

h

a

d

.

gone

by . . .

.

.

.

since

.

w

e

.

shined

our

smiles

.

o

f

.

Springtime . . .

.

.

.

We

shined

our

smiles

.

o

f

.

Springtime . . .

.

.

.

back

when

the

days

.

o

f

.

me

.

a

n

d

.

you

were

new,

.

a

n

d

.

still

.

i

n

.

bloom . . .

.

.

.

 ~ they

.

w

e

r

e

.

new,

.

a

n

d

.

still

.

i

n

.

bloom . . .

.

.

.

a

n

d

we

knew

we

could

.

n

o

t

.

lose . . .

.

.

.

 ~ we

could

.

n

o

t

.

lose

.

i

n

.

those

restless

days

.

o

f

.

youth . . .

.

.

.

f

o

r

love

.

w

a

s

.

more

a

mood

than

a

proof . . .

.

.

.

a

n

d

we

could

move,

.

a

n

d

.

pursue,

.

a

n

d

.

do

whatever

we’d

choose . . .

.

.

.

 ~ we

could

do

whatever

we’d

choose . . .

.

.

.

i

n

those

restless

days

.

o

f

.

youth . . .

.

.

.

when

everything

.

w

a

s

.

new,

.

a

n

d

.

still

.

i

n

.

bloom . . .

.

.

.

 ~ when

everything

.

w

a

s

.

new,

.

a

n

d

.

still

.

i

n

.

bloom . . .

.

.

.

including

me

.

a

n

d

.

you . . .

.

.

.

How

much

time

passed

by . . .

.

.

.

since

.

w

e

.

shined

our

smiles

.

o

f

.

Springtime

.

a

t

.

the 

starting

line . . .

.

.

.

 ~ since

.

w

e

.

shined

our

smiles

.

o

f

.

Springtime

.

a

t

.

the 

starting

line . . .

.

.

.

igniting

.

a

n

d

.

exciting

the

eyes

.

o

f

.

delight

which

came

alive

.

a

n

d

.

would

marvel

.

f

o

r

.

miles

.

a

t

.

a

time . . .

.

.

.

They

would

marvel

.

f

o

r

.

miles . . .

.

.

.

They

would

marvel

.

f

o

r

.

miles . . .

.

.

.

They

would

marvel

.

f

o

r

.

miles

.

a

t

.

a

time . . .

.

.

.

 ~ those

eyes

.

o

f

.

delight,

alive

.

i

n

.

our

springtime

smiles . . .

.

.

.

when

the

words,

the

rhythm,

.

a

n

d

.

the

rhyme

were

like

wine . . .

.

.

.

a

n

d

everything

.

w

a

s

.

fine . . .

.

.

.

 ~ yes,

everything

.

w

a

s

.

fine . . .

.

.

.

a

n

d

could

still

.

g

o

.

right . . .

.

.

.

 ~ everything

 could

still

.

g

o

.

right

.

i

n

.

time . . .

.

.

.

f

o

r

we

would

ride

the

skies

.

o

f

.

starshine . . .

.

.

.

We

would

ride

the

skies . . .

.

.

.

We

would

ride

the

skies . . .

.

.

.

We

would

ride

the

skies

.

o

f

.

starshine . . .

.

.

.

nice,

.

a

n

d

.

bright,

.

a

n

d

.

high,

.

a

n

d

.

wide . . .

.

.

.

mile,

after

mile,

after

mile,

after

mile . . .

.

.

.

smile,

after

smile,

after

smile,

after

smile . . .

.

.

.

f

o

r

we

had

rhyme,

.

a

n

d

.

wine,

.

a

n

d

.

candlelight

.

o

n

.

our

side . . .

.

.

.

 ~ we

had

rhyme,

.

a

n

d

.

wine,

.

a

n

d

.

candlelight

.

o

n

.

our

side . . .

.

.

when

we

shined

our

Springtime

smiles . . .

.

.

.

 ~ when

we

shined

our

Springtime

smiles . . .

.

.

.

I

thought

.

o

f

.

you

.

a

n

d

.

smiled . . .

.

.

.

a

n

d

wondered

how

your

life

had

gone

.

a

l

l

.

the

while . . .

.

.

.

 ~ all

the

while

you

were

.

n

o

t

.

mine.

Reflection:  This poem largely reflects looking back on a cherished, one-of-a-kind, past romance – and is something most of us have probably experienced in our lives. Romance seemed so much easier in the days of youth when expectations were much lower, and we were less judgmental and more forgiving towards each other.

The opening lines to this poem came to me while I was at New Smyrna Beach. The remainder of the poem came into being a couple of weeks later by the accidental intersection of one of my favorite movies (“Film Stars Don’t Die in Liverpool.”) and an old song on the radio that I had never heard before on the drive back from Daytona Beach (“Come Saturday Morning” by The Sandpipers which was a tiny but catchy echo from back in 1970 – its peak position on the charts was at #17). And although this song was not in the movie, and not much of a hit, it really hit me and fit perfectly with what I was reflecting on and trying to capture.

The song served as the primary inspiration for the poem which took several iterations to write (while playing the song repeatedly on low volume to create the “moodset” for the poem). If you listen to the song at low volume while reading this poem, you might better get the “feel” of it.