First
with
.
t
h
e
.
thirst,
.
.
b
u
t
.
.
last
with
.
t
h
e
.
crash . . .
–
–
–
.
.
.
w
e
.
.
.
were
lost
.
i
n
.
the
lack,
.
w
i
t
h
.
no
turning
back . . .
–
–
–
.
.
.
~ we
.
w
e
r
e
.
lost
.
i
n
.
the
lack,
.
w
i
t
h
.
no
turning
back . . .
–
–
–
.
.
.
So
high
.
o
n
.
the
blast . . .
–
–
–
.
.
.
So
afraid
.
i
t
.
would
.
n
o
t
.
last . . .
–
–
–
.
.
.
that
day,
–
–
after
night,
–
–
after
day . . .
–
–
–
.
.
.
we
raced . . .
–
–
–
.
.
.
We
raced . . .
–
–
–
.
.
.
We
raced . . .
–
–
–
.
.
.
We
raced . . .
–
–
–
.
.
.
along
.
t
h
o
s
e
.
tracks . . .
–
–
–
.
.
.
hot,
.
a
n
d
.
hard,
.
a
n
d
.
fast,
.
a
n
d
.
far . . .
–
–
–
.
.
.
clickety
clack,
–
–
clickety
clack,
–
–
all
along
–
–
those
tracks . . .
–
–
–
.
.
.
clickety
clack,
–
–
clickety
clack,
–
–
further,
–
–
deeper
.
i
n
t
o
.
the
black . . .
–
–
–
.
.
.
a
n
d
–
–
–
now . . .
–
–
–
.
.
.
~ yes,
now . . .
–
–
–
.
.
.
w
i
t
h
–
–
–
all
.
t
h
e
.
sins,
–
–
vices,
.
a
n
d
.
excesses
–
–
we’ve
had,
.
.
I
.
.
w
a
s
.
thinking
.
w
e
.
might
.
t
u
r
n
.
back . . .
–
–
–
.
.
.
~ I
.
w
a
s
.
hoping
.
w
e
.
might
.
t
u
r
n
.
back . . .
–
–
–
.
.
.
instead
.
o
f
.
waking
again,
.
n
o
t
.
knowing
where
–
–
we’re
at,
–
–
lost
.
a
n
d
.
alone,
.
a
n
d
.
sinking
.
i
n
.
the
lack . . .
–
–
–
.
.
.
~ sinking
.
i
n
.
the
lack . . .
–
–
–
.
.
.
a
n
d
.
.
.
f
a
l
l
i
n
g
.
.
.
through
.
t
h
e
.
cracks . . .
–
–
–
.
.
.
~ yes,
sinking
.
i
n
.
the
lack . . .
–
–
–
.
.
.
a
n
d
.
.
.
f
a
l
l
i
n
g
.
.
.
through
.
t
h
e
.
cracks . . .
–
–
–
.
.
.
~ sinking
.
i
n
.
the
lack . . .
–
–
–
.
.
.
a
n
d
–
–
–
not
turning
back . . .
–
–
–
.
.
.
~ not
turning
back
.
t
o
.
all
.
a
n
d
.
that,
–
–
which
smiled
.
i
n
.
the
past . . .
–
–
–
.
.
.
~ not
turning
back
.
t
o
.
all
.
a
n
d
.
that,
.
a
n
d
.
the
warmth
.
o
n
c
e
.
had . . .
–
–
–
.
.
.
Not
turning
back . . .
–
–
–
.
.
.
Not
turning
back . . .
–
–
–
.
.
.
a
s
–
–
–
those
youthful
.
d
a
y
s
.
begin
.
t
o
.
age
.
a
n
d
.
shade . . .
–
–
–
.
.
.
They
age
.
a
n
d
.
shade . . .
–
–
–
.
.
.
They
age
.
a
n
d
.
shade . . .
–
–
–
.
.
.
They
age
.
a
n
d
.
shade . . .
–
–
–
.
.
.
a
n
d
–
–
–
gray . . .
–
–
–
.
.
.
a
n
d
–
–
–
nothing
feels
.
s
o
.
bad . . .
–
–
–
.
.
.
so
empty . . .
–
–
–
.
.
.
a
n
d
–
–
–
so
sad . . .
–
–
–
.
.
.
a
s
–
–
–
that,
–
–
when
.
a
l
l
.
which
blossomed
–
–
dies
.
i
n
.
the
past . . .
–
–
–
.
.
.
~ looking
back
.
t
o
.
all
.
o
n
c
e
.
had . . .
–
–
–
.
.
.
~ yes,
nothing
feels
.
s
o
.
bad
.
t
h
a
n
.
looking
back
.
t
o
.
all
.
o
n
c
e
.
had . . .
–
–
–
.
.
.
~ looking
back
.
t
o
.
all
.
o
n
c
e
.
had
.
i
n
.
that
dimming,
–
–
dying
past,
–
–
when
.
w
e
.
came
.
o
n
.
too
hot . . .
–
–
–
.
.
.
too
hard . . .
–
–
–
.
.
.
too
far . . .
–
–
–
.
.
.
a
n
d
–
–
–
too
fast . . .
–
–
–
.
.
.
~ riding
high
.
o
n
.
that
blast . . .
–
–
–
.
.
.
~ riding
high
.
o
n
.
that
blast . . .
–
–
–
.
.
.
First
with
.
t
h
e
.
thirst,
.
.
b
u
t
.
.
last
with
.
t
h
e
.
crash . . .
–
–
–
.
.
.
First
with
.
t
h
e
.
thirst,
.
.
b
u
t
.
.
last
with
.
t
h
e
.
crash . . .
–
–
–
.
.
.
First
with
.
t
h
e
.
thirst,
.
.
b
u
t
.
.
last
with
.
t
h
e
.
crash . . .
–
–
–
.
.
.
~ yes,
last
.
w
i
t
h
.
the
crash,
–
–
aged
faces
aghast . . .
–
–
–
.
.
.
~ aged
faces
aghast
–
–
against
.
t
h
e
.
glass . . .
–
–
–
.
.
.
f
o
r
–
–
–
alas . . .
–
–
–
.
.
.
~ yes,
alas . . .
–
–
–
.
.
.
every
passing
warm,
.
a
n
d
.
glossy
flash
.
f
a
l
l
s
.
flat . . .
–
–
–
.
.
.
a
n
d
–
–
–
turns
bland
.
a
n
d
.
black . . .
–
–
–
.
.
.
It
turns
bland
.
a
n
d
.
black . . .
–
–
–
.
.
.
~ the
blast
–
–
standing
.
a
t
.
half-mast . . .
–
–
–
.
.
.
a
n
d
–
–
–
now . . .
–
–
–
.
.
.
~ yes,
now . . .
–
–
–
.
.
.
a
t
–
–
–
last . . .
–
–
–
.
.
.
clickety
clack,
–
–
clickety
clack,
–
–
there’s
.
n
o
.
turning
back.
Reflection: This was a forgotten but moving personal struggle-themed poem I wrote back in September of 2019 as a warning to be cautious when engaging in vices and excesses which might end up consuming a life. So many people start out experimenting, being adventurous, and having “fun,” only to find themselves immersed and trapped in a darkness they can never escape. I played the wonderful acoustic version of the song “Cowgirl in the Sand” by Neil Young (from the “Four Way Street” album) in the background to create the “moodset” for the poem. If you listen to the song at low volume while reading this poem, you might better get the “feel” of it.
This poem was initially born from a favorite lyric: “after all the sin we’ve had, I was hoping that we’d turn bad” from the Neil Young song: “Cowgirl in the Sand” – which I changed to “with all the sins, vices, and excesses we’ve had, I was thinking we might turn back.” The rest of the poem pretty much wrote itself from that starting point.